sun bed is a performance exploring a parallel world born from a subtle planetary shift: a version of Earth tilted just enough to allow sunlight for only 99 hours each year. In this alternate reality, societies have evolved around those fleeting hours of light, developing heliocentric rituals, mythologies, and sonic traditions to honor the sun’s brief return.

performative interview with the media theorist, author and queer icon McKenzie Wark using a game specifically developed for this purposethe participants draw cards, follow the action on it while answering interview questions

playable text storage dealing with themes of absence, alienation and longing A 3D-scan of the artist in her bathtub that acts as her bed is at the center of this playful installation that playable with a gamepad. Virtual endless rain inside the bathroom is accompanied by spatialized poetry. 

‘Our Mouths Were Spring’ is an audiovisual performance. The work explores how love, the internet and commodities are increasingly intermingled. Between container ships and dating apps, the two players navigate old connections and new, queer identities.

based on the self-developed pataphysical method of "refraction": When information is fractured in a way that creates intense resonance in the subject's body, this is called a hyperrefractive state. The phenomena is closely related to states of ecstasy or trance, but is characterised by the fact that it cannot be achieved alone.

sculpt as a way of sound is a three part collaborative work by ceramic artist Anissa Kuhn, sound artist Maximilian Szakaly, and multimedia artist Janine Scheer-Erb. They center their narrative on the moment of touch as a coming-closer and creating-contact. The exhibition was developed within the framework of the ÆSR Lab - Applied/Experimental Sound Research Laboratory. The focus is on the critical examination of sound, both as an independent actor and as a connecting element. The works examine the complexity of sound and its role in different contexts, from individual experiences to social discourses.

With the help of an analog gamewheel, which is played in combination with a digital interface, the players are asked to start a ritual in order to invoke a digital deity. 8 Symbols serve as categories with different commands that have to be interpreted both performatively and musically. Artificial intelligence is seen here as an almighty, omniscient entity that is worshipped quasi-religiously.

The artwork "Unreal things fly through space - A granular machine memory" (Простор лети нестварне ствари) opens a journey through the matter of time, into the memory fragments of a seemingly real place, a collectively archived space-time continuum. Here, digital data becomes the only tangible medium to retrieve forgotten stories and hidden places.

Art Works! European Culture of Resistance and Liberation is a long-term interdisciplinary project combining artistic research, political and cultural youth education, and remembrance cultures. In international exchange meetings, artists, scientists, art institutions, and NGOs engage young people in co-creative thought processes and artistic practice dealing with resistance against (European) fascisms.